Saturday was a pretty relaxing day. I was not teaching any classes that day, and the workshop I was taking did not start until two. I got up at my regular time of 6:30 – 7 am and went down to get another wonderfully made omelet. I then just hung out in the room for most of the rest of the time until lunch. I wrote much of the first part of this post while I lounged around the room. It was a much needed respite!
For lunch I wandered down and had some chicken salad and fruit from their little snack shack in the center of the lovely atrium. I enjoyed eating my lunch with arty friends I've known for years.
Soon enough my class time rolled around and I headed for my Let's Brooch the Subject metalworking class with Jen Crossley. While I had done metal etching before, I had never done cold connections and jewelry sawing. It was a fun class and I learned a lot. When I went to sign in on the class roster, I saw a name that I recognized...the ever-talented Linda Cain! I looked around the room, found her, and called out her name. Linda is an amazing artist who, if you are not already familiar with, you must seek out. Her work is fabulous. I had the privilege of publishing several of Linda's works in AlteredArts magazine. She has since been on Tim Holtz's and Finnabair's design teams, among others. Follow her blog for regular infusions of “amazing-ness.”
|Linda Cain and Cyndi Duncan at Artiscape Artist's Gathering 2015.|
Jen Crossley is a hoot, too. She hails from Australia and has a wonderful sense of humor. Of course she is fun to listen to; she could read a phone book and I would sit enthralled by her accent.
After Jen's class I had about a half hour to go and get ready for the evening's banquet.
While we were waiting for the dinner, we milled about at the evening's happy hour and set about to relieve ourselves of our trades. During this time something happened that has never happened before requiring me to point out some Art Trade Etiquette: If someone asks you if you have trades, and you do, you TRADE with them! You do not say “Yes, what do you have?” then look at the trade and respond: “No, I'm sorry, that's not my style,” or “Thank-you, but I wouldn't be able to use that.” If I had heard what happened to the two women in front of me, I would have never proffered my own trade. I have to imagine that the woman in question just didn't understand how it worked. I wish I wasn't so floored, or I might have asked her if it was her first time trading and kindly explained trade etiquette. I didn't pick my jaw off the floor until much later.
The banquet was a Jules Verne dinner and featured Cirque-de-Soleil-like performers that were fabulous. The food was good, as it always is at these dinners at the Embassy Suites-Dublin. I sat with my roommate, students from my classes and new friends. My roommate retired early and I sought out others who might want to go to the bar for a drink. While we never made it to the bar, I did insert myself into a group of people I did not know, and had a wonderful time learning more about them. It was the perfect ending to an amazing day.
|Lisa's attention to detail always makes Artiscape super special.|
|My friend Mary and I at the Jules Verne Dinner Bash at Artiscape Artist's Gathering 2015.|
|Performers at the Jules Verne Dinner Bash at Artiscape Artist's Gathering 2015.|
5-1-2015: The name of the performers is The Amazing Giants. You can read more about them on their website: http://www.theamazinggiants.com/
1-19-2017: In linking these pages up to my 2017 Artiscape class offerings, I reread these posts and realized that I never finished the series, lol. For those of you waiting on pins and needles: I don't remember what I did on Sunday! Ha, ha, ha. I think I took a class, checked out, attended the Mad Hatter Tea Party and took my exhausted body home. At any rate, I'm sure the series gave you the flavor of the event, even if I didn't get around to finishing it.